- Marina Borodina, Nataliya Grebennikova & Alexander Litvinov. Mokuhanga in Russian
- Claire Cuccio. Passage through Asia. The Cultural Diversity of Mokuhanga in Nepal
- Julianne Dao, Lari Gibbons, Kazuko Goto. Mokuhanga Journey: Creating intersections through collaboration and education
- Tomomi Furukawa. 古川朋弥. 西会津の伝統行事「虫送り」のリサーチとそれに係る作品制作 Research on the traditional event ’Seeing off bugs’ in Nishiaizu and production of related Mokuhanga works
- Jennifer Giaccai. Identifying different types of sumi using Raman spectroscopy
- Paola Beatriz Gonzalez Farias. Japanese Woodcut: the View from Chile
- Keiko Hara, Akira Ron Takemoto. Water Dreams: Mokuhanga in Walla Walla
- Wuon-Gean Ho. Making colour bounce, blend and break: a macroscopic and microscopic examination of mokuhanga techniques
- Irena Keckes. Contemporary Mokuhanga and Print Installation
- Ralph Kiggell. Itō Jakuchū and the Pleasure of Ink
- Shoichi Kitamura. 北村昇一. Donald Groscostさんのドローイングを木版画にするためのプロセス The Process of Turning Donald Groscost’s Drawings into Woodblock Prints
- Yuta Konno. 海外における水性木版画ワークショップ活動による技法普及への貢献とその報告ー次の世代へContributing to the Spread of Water-Based woodblock Techniques through Overseas Workshops
- Marco Leona. A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods
- Xiaoqiao Li. Image Decaying: exploring materials, surfaces and time within printmaking and moving image editing
- Jennifer Mack-Watkins. The Influence of Political and Social Issues Using the Practice of Mokuhanga as a Change Agent
- Shahida Mansoor. Self-Expression in the Art of Mokuhanga
- Tuula Moilanen. Sumi Ink and the Woodblock Printed News Bulletins during the Edo-Meiji Period
- Yoonmi Nam. Arranged Flowers & Four Seasons: Prints Inspired by East Asian Still Life Traditions
- Hellory Maria Nella Ponte. Beyond Sumi Black and Color: the Light between ‘No Ink’ Karazuri and Tsuyazumi
- Endi Poskovic. Craft Inside and Outside Japan: Teaching Mokuhanga
- Harriina Raïnä. The Other as Matter – Animal Matter in Mokuhanga
- Lucy May Schofield. Borderless – A collaboration across continents
- Faith Stone. Buddha woodblocks: A Dying Artform
- Elisabet Alsos Strand. My Practice
- Asuka Tsutsumi. Fusion of classical and contemporary techniques: woodcut rubbing print and inkjet
- April Vollmer. Coda: Creative Mokuhanga since 2015
- Carol Wilhide Justin. Mokuhanga and the Sense of Touch
- Helena Wright. Exploring the 1889 Tokunō Gift to the Smithsonian. Japanese woodblocks, prints, tools, and pigments on view in the West.
- Katsutoshi Yuasa. 克俊湯浅.「版画は風のなかを飛ぶ種子 ファンタジーは可能か？」. ‘Prints are seeds that fly in the wind. Is fantasy possible?’
2021 International Mokuhanga Conference
SUMI-FUSION December 1 to 3, 2021